Don’t let the title fool you. Though “Alien: Covenant” is indeed a film residing in…
Review: ‘King Arthur: Legend of the Sword,’ a legend not worth telling
A tale as old as time, King Arthur, a famous British legend, is not new…
Review: ‘Prey,’ survival done right
Centered around themes of exploration and paranoia, “Prey,” published by Bethesda Softworks, is an amazing…
Review: ‘Guardians of the Galaxy Vol. 2,’ a faithful sequel
Although the film has its issues, “Guardians of the Galaxy Vol. 2” still holds much…
Review: ‘Outlast 2,’ a horror classic
Seclusion, desperation and insanity. These and many more are traits exhibited by Red Barrels’ latest…
Review: ‘The Fate of the Furious:’ A fun ride from beginning to end
Directed by F. Gary Grey, “The Fate of the Furious” is the eighth film in…
Review: ‘Ghost in the Shell,’ a beautifully dull experience
“Ghost in the Shell” is an American live action adaptation of Masamune Shirow’s manga of…
Analysis: Why the new ‘Death Note’ shouldn’t be crucified yet
On March 22, Netflix released a trailer for their newest original film, “Death Note.” Reception…
Review: ‘Mass Effect: Andromeda,’ a voyage amongst the stars
Exploring new worlds and encountering new races of aliens — “Mass Effect: Andromeda” stems from…
Review: ‘Kong: Skull Island,’ monkeying around
Set in 1973, “Kong: Skull Island” takes place shortly after the Vietnam War. Newly built…
